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America has never had a monarch.

English and Dutch adventurers came to America in 1620 to escape England and the Netherlands, which of course did then and still do have a monarchs. As colonists, the settlers still pledged fealty to “our Lord King James” whose name was used as often as not in the same sentence as God, but later they got tired of the King’s soldiers, whom he sent over here as proxies to lord it over the colonists–the very thing they left the old part of the world to escape!

So by the time of the American Revolution in 1776, they’d had it with the whole “dread Sovereign” imperial monarchy thing.

They made sure, beginning in 1787, when the Constitution of the United States of America was formulated, and later on, in 1789, when the First Congress passed the first ten amendments to the Constitution, the Bill of Rights, that freedom and the rule of law governed the people of America, so they were no longer subject to the whim of a monarch.

Everything worked out well for quite awhile.

Then the condition and quality of the U.S. government began to erode in the early part of the Twentieth Century. It got worse after World War II. By the end of the 1980s, the government had become what it is now: unresponsive to the will of its citizens; out-of-touch with the people; profligate; non-representative.

By far the most corrosive influence in American politics and government is money. As long as it is legal to bribe politicians and officeholders, you shouldn’t expect good, representative government. This is precisely why there is gridlock and increasing polarity of thought and action in Washington DC, and why our state legislatures are so appallingly bad.

Ironically, America has reached the point where only a monarch, a King unsullied by the taint of bribery and influence, could straighten things out.

The book If I Were King is a fanciful, sometimes comic and sometimes serious look at what I would do, acting completely autonomously, unilaterally and arbitrarily as sovereign, completely aloof from any pecuniary influence or conflict of interest whatsoever, to make America and the world a better place.

genre

\ˈzhän-rə,ˈzhäⁿ-;ˈzhäⁿr;ˈjän-rə\
noun

  • 1 : a category of artistic, musical, or literary composition characterized by a particular style, form, or content
  • 2 : kind, sort

Why create a new fiction genre? Good question.

The answer: To blur–and eventually do away with–artificial distinctions. And really, to defy the categorization of storytelling, in order to produce the best, most enjoyable and memorable stories imaginable.

Fiction genre distinctions are antiquated–a rubric of a bygone era.

Writing in the “Critic At Large” column of The New Yorker this week, Arthur Krystal underscores this point by analyzing the provenance of category distinctions in literature, and quoting bespoke authors skewering the practice.

Today the literary climate has changed: the canon has been impeached, formerly neglected writers have been saluted, and the presumed superiority of one type of book over another no longer passes unquestioned.

In that same article, Ursula K. Le Guin makes the essential point: “The distinction [...] between literary and genre fiction, though cherished by many critics and teachers, was never very useful and is by now worse than useless.” Worse than useless.

Pigeon-holing stories into genres started at the dawn of commercial publishing time, when editors and publishers, along with their marketing and sales people, felt the need to be able to quickly categorize a book, and as this practice evolved, its author. It is an anachronism, one that is worse than useless. A device to facilitate literary snobbery on the one hand, on the other, an inviolable shibboleth of academia.

Now that we are no longer hidebound by artificial distinctions and their associated stigma, it is time to return to the ancient tradition of storytelling for its own sake.

The book, One Day in November is available FREE today only at Amazon.com!

This blog features commentary on news events, culture and the flow and trends of culture.

It is also about my work, what it’s about, and where you can read the longer-form books, essays and novels. Selected excerpts will be published here from time to time.

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